![]() ![]() As Fight Club establishes the Narrator's ability to create imaginary constructs that he believes to be real, Marla could also be imaginary, although his choice to embrace her after "killing" Tyler then takes on a new meaning. This isn't something that can be entirely proven, or disproven, by the events of the film. This creates a sense that where Tyler Durden is the embodiment of the Narrator's rage and frustration, Helena Bonham Carter's Marla is a representation of his tendency for self-destructive behavior. Throughout Fight Club, Marla is something of a grounding influence for the Narrator, acting as a sense of comfort in the antithesis of his relationship with Tyler (himself). The implications of this are that Project Mayhem's other groups across the globe will likely succeed in their mission, too, dealing a serious blow to the consumerist society that Tyler was rebelling against.Īfter Tyler Durden is proven to only exist in the Narrator's head, there's also some confusion about whether the Fight Club ending explained if Marla is real or imaginary. While he'd like to undo Durden's work, the Narrator knows that he can't stop Project Mayhem's plan, so he simply watches it unfold. However, taken at face value, it shows that the Narrator is finally free of Brad Pitt's Tyler Durden. ![]() There are a number of implications to this scene, but one of the biggest is that after Fight Club's twist, the main character cannot be considered a reliable narrator.Īs most of Fight Club didn't happen as the Narrator experienced it (and thus the audience saw first time round), the ending becomes even more ambiguous. ![]() However, Fight Club's ending is a relatively abrupt one - after learning that Tyler only exists in his mind, the Narrator shoots himself and then stands with his girlfriend, Marla, and watches the decimation of the city skyline. ![]() In the years since Fight Club's ending twist, it has been recreated and reused for a number of stories, and that's because it's both thought-provoking and emblematic of much deeper themes. ![]()
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